Tuesday 31 January 2012

From Stage to Screen!

From Stage to Screen!- Tuesday 31st January 2012


We all know the following as blockbusters but they all started on the stage!

Oklahoma (Rodgers and Hammerstein)
 

The original 1943 production starring Joan Roberts and Alfred Drake
  

The 1955 film version starring Shirley Jones and Gordon MacRae







  








Annie Get Your Gun! (Irving Berlin, Dorothy Fields, Herbert Fields)


 

Doin' what Comes Naturally!- Betty Hutton as Annie Oakley (1950)
 
 

There's no Business like Showbusiness!- formidable stage presence Ethel Merman in original Broadway production (1946)






My Fair Lady (Lerner & Loewe)





1956 Broadway production starring Julie Andrews and Rex Harrison
  



The fairest of them all! 1964 version starring lithe beauty and fashion icon Audrey Hepburn as Eliza Dolittle.  Rex Harrison reprised his stage role as Henry Higgins.



Chicago (Kander and Ebb)

All that Jazz- original 1975 production starring Chita Rivera, Gwen Verdon and Jerry Orbach (Lumiere in Beauty and the Beast!)




2002 film directed by Rob Marshall, starring Catherine Zeta Jones, Renee Zellwegger and Richard Gere




AND COMING SOON TO A SCREEN NEAR YOU!



The global stage musical smash,with music by Claude Michel Schonberg and lyrics by Alain Boublil is under filn production by Cameron Mackintosh- watch this space!







Monday 30 January 2012

London 2012 will not mean curtains for West End

There have been fears in recent press that theatre in London's West End may not be able to compete with the forthcoming London 2012 Olympics and Paralympics games.  Andrew Lloyd Webber previously said that London 2012 would be a "bloodbath" for theatre and that most of the theatres in London would shut.  But these fears were quashed recently by Richard Dickinson, the Chief Executive of the New West End Company.  He said: "we just don't buy this viewpoint at all.   The place will be rammed full with inbound tourists. And most of them won’t have tickets to more than one or two Olympic events. They will want to shop and visit the theatre."  Lyricist Time Rice, who has collaborated with Andrew Lloyd Webber on shows like Jesus Christ Superstar, also believes London 2012 could help boost theatre sales.  Now, a scheme called Don't Miss the Real Show in 2012 is in place.  It has been working with partners including the Mayor's Office and Transport for London to dispel concerns that "the influx of Olympic visitors will keep people out of the West End."    So it seems that West End theatre could still thrive during this summer, proving Lloyd Webber wrong.

For many people, a trip to the theatre can be the equivalent to a shot of endorphins.  If you go to a show feeling sluggish, it takes just a few rousing numbers to bring a rush of energy back.  Post-war theatre in the 40s and 50s saw the rise of the American musical with shows like Oklahoma and Annie Get Your Gun proving to be huge hits.  They were optimistic shows and are still well-loved today.  In recent times, we have seen shows like Crazy for You gracing the stage.  Charles Spencer of The Daily Telegraph gave an open air version of the show a glorious review, stating, "in bad times – and times don’t get much worse than these – musical comedy thrives."  He was referring to the riots in London and prevailing social and economic unrest.  Now we can look forward to another morale boost with Singin In The Rain opening on the 4th February at London's Palace Theatre.  It will star Adam Cooper, Daniel Crossley and Scarlet Strallen.    The excitement of London 2012 has been felt throughout the UK but theatre can be equally morale-boosting.

With Olympic buzz roaring the forthcoming games have rarely been out of the press. Recently, we have seen glimpses of the Olympic village and heard the hopes of competitors.  The games have yet to begin but there is already a strong fighting spirit in England's capital.   Young performers from London's suburbs have been competing to be part of a cast of 900 in the opening ceremony, directed by Danny Boyle.  But elsewhere another young cast have been attracting the attention of theatre-goers.    The Royal Shakespeare Company's production of Matilda has enjoyed high ticket sales since opening on November 24th last year.  The musical, adapted from Roald Dahl's novel, was written for the stage by Dennis Kelly with music and lyrics by Tim Minchin.   Earlier this month, the RSC executive Vikki Heywood said the show had made over £7m of sales and advanced sales.  She said there was no indication that there would be a dip in sales over the Olympic period. 

Not all theatrical productions have enjoyed the success of Matilda.  Sweeney Todd is going to take a break during the Olympic games and it might not be the only victim.   So far, shows like The Wizard Of Oz are still taking bookings.  But Lloyd Webber's production could be next to face the chopping block for not living up to the success of other TV talent show vehicles.  That is simply the nature of theatre.  Shows close all the time whether there is a major sporting event on or not.  Considering the success of Matilda and play War Horse, which was recently adapted for film, there is no reason why London 2012 and West End theatre cannot co-exist.  People who visit London this summer can be equally proud of the Olympic games and the array of shows the West End has to offer.  Fear of a so-called "bloodbath" is nothing but theatrical hype which should stay backstage.  

Britain's Got Talent- To Infinity and Beyond!

Going into space is something many of us have only dreamt about.  In all likelihood, the closest any of us will get is by visiting the Kennedy Space Centre.  If you’re brave enough to go onto the spaceship simulator.  Until now that is.  That’s right- if you can juggle, do a mean Arnold Schwarzenneger impression or sing like Leona Lewis, then you could be jetting off into the stars!

That is the possible prize being offered to this year’s winner of Britain’s Got Talent.   They could literally end up singing with the stars by being offered their own gig in space.  But if you think you could be the first person to have a concert on the moon think again.  The BGT champion will merely get to perform on board a flight with Richard Branson’s Virgin Galactic company (not that performing in front of the whole world is a bad prize or anything…)

It all just seems a bit bizarre.  Don’t get me wrong- the chance to perform on a huge scale is an amazing opportunity- but space?  Has Simon Cowell finally lost sense at the expense of his ego?  Well, he insists he is being completely serious and that Richard Branson is willing to fund the mission himself.  Cowell said, “I will make it happen.  If it had been a few years ago Susan Boyle could have been singing Unchained Melody in front of the whole planet.”

So is this Cowell’s idea of a comeback?  After all, his own programmes haven’t been doing so well of late.  X Factor USA was a bit of a damper and did not fare so well in Britain either.  With bland contestants, even blander song choices and the most controversial panel yet, Cowell is looking to shake things up for next year.  Cowell was determined to save last year’s BGT, turning up in heroic fashion to the theme of Superman. But it was more a case of sour grapes with sulky Cowell labelling the show bizarre, moaning that the new panel had made some silly decisions.  But now Cowell has hit back and said he hopes to take the show to new heights of peculiarity.   

The thing is, its not just Britain’s Got Talent that has gone bonkers.  If you’re an X Factor finalist you can sing in the 02 arena in front of thousands of people.  Not bad for being a former shop assistant/office worker/binman or whatever.   In Popstars, the programme which launched ill-fated Hearsay, the audition rooms looked like church halls compared to the glitzy arena settings of Cowell's shows these days.  Forget bussing it to the auditions- you can now turn up in your own speedboat if you so desire!

But let’s not forget that most auditions and talent competitions are not that glamorous.  The chances are you will probably queue for hours at a dance studio and only get the chance to sing half a song with none of the X Factor or BGT style feedback (“sorry pet, it’s a no”)  Whoever wins Britain’s Got Talent this year will be very lucky and hopefully will have a very successful career.  Let’s just hope that Cowell and his lucky star don’t leave their heads in space!

SPOT THE DIFFERENCE




SUPERMAN







The Artist- A Hollywood Remake or Revolution?

The Artist is a new film phenomenon which looks at the transition from the silent film to the talkies. But this is not the first film to feature this theme.   When Arthur Freed's Singin' in the Rain came out in 1952 it took a jovial and comical look at the release of the first talkie.  When "The Duelling Cavalier" premieres, it is an unmitigated disaster as midway through the sound goes out of sync with the action.  The main star, Gene Kelly's Don Lockwood faces ritual humiliation.   The decision made?  To turn the film into a musical!   The only problem is that Lockwood's co-star Lena Lamont, played by Jean Hagen, is the antithesis of the triple threat.  She can't sing, she can't dance and she can't act.  Debbie Reynold's Kathy Selden is instead chosen to dub her and the renamed "The Dancing Cavalier" is a success.
Don Lockwood and his talkies star Kathy Selden

Singin' in the Rain has gained popularity throughout the years, but has not been without its share of notoriety.    Rather ironically, Debbie Reynold's Kathy Selden is picked to dub Jean Hagen's tone-deaf Lena Lamont.  But before starting Singing in the Rain, Reynolds said she didn't regard herself as much of a singer and certainly not a dancer.   Gene Kelly was a ferocious task master, working Reynolds right through until she burst a blood vessel in her foot and after filming was found to have an abnormally low heart rate.  Donald O Connor, who is rumoured to have smoked up to four packets of cigarettes a day during filming, was hospitalised after filming the Make Em' Laugh sequence.   Gene Kelly performed the title sequence with the flu.  When the film did come out, it was not the success hoped for but has since been recognised as one of the best musicals of all time, awarded for its cultural importance to American history.   The title song, itself written before the film,  has been remade numerous times and was recently remixed by Mint Royale.  It even featured in Britain's Got Talent with a dance routine by winner George Samson.   The song's ever endurance is testament to the success of the film.


The Artist- influenced by Singin In The Rain?
 Now, its 2012 and we see the release of the film, The Artist, directed by Michel Hazanavicius.  Much like Singin' in the Rain's protagonist Don Lockwood, the film starts with George Valentin attending the premiere of his film, A Russian Affair.  Outside the premiere Peppy Miller is waiting to see her favourite film star and is acidentally knocked into him.  When she auditions as a dancer at a "Hollywoodland" studio, she is  made into a big star before making the notoriously difficult step into the talkies.  While "The Beauty Spot" is a hit, Valentin refuses to move into the new era of filmmaking and his silent film "Tears of Love" is a flop.  In the end, Miller saves Valentin literally from career suicide and persuades him to make a musical with her.

So why has the move from silent films to talkies gained such enduring popularity?  It was the most dramatic era in the history of film making.  Nobody had ever heard sound in film before.  The talkies "proved to be disastrous for vaudeville", the stage phenomenon of the day with many stars meeting their demise.  From the actual silent films, few actors survived.  Lillian Gish has had the longest career span in American history since first starring in silent films.  She is rivalled only by baby-faced Hollywood legend Mickey Rooney.  Technically, there were various sound problems encountered with sound.  This is made fun of during the Duelling Cavalier sequence in Singin In The Rain .  Furthermore,  many actors’ voices had never been heard in film before.  How would they translate to the big screen?  This was particularly problematic for actors "whose accents were thought to disrupt the American idiom", again poked fun of through Lamont's horrendous speaking voice.  Bring forward George Valentin in The Artist, whose strong French accent is only revealed at the end.  It is hinted throughout the film, to be one of several reasons why he does not move into the talkies.

The Artist- The New Golden Age of Hollywood?
The Artist is predominantly a silent film, using music and some spoken words throughout.  While it is not Singing In The Rain, there are certainly throwbacks to the film including a comical cavalier sequence and a rather annoying blonde co-star, played by Missi Pyle, towards the beginning.  The film is influenced by other films of Hollwood's "golden age." George Valentin even comes to resemble Norma Desmond in Sunset Boulevard as in one scene he watches his silent fims alone, reminiscing about the good old days.  But while the film has been influenced by thematic elements from Hollywood's golden age, it is revolutionary for modern day cinema.   We are used to many films so laden with special effects and Hollywood names that the plots and film making itself become shallow  (New Year's Eve anyone?)  Here we have a film stripped right down so  the art behind it can be appreciated.  Big names like John Goodman are used, but do not sell the film.  It is also interesting to note that the film does use spoken words and sounds whereas silent films relied entirely on moving pictures and text to tell the story.    When Singin in the Rain came out it struggled to get the popularity it merited.  So would the Artist, a film which depicts the struggles of the same era but with virtually no speech, fare any better? 

So far, The Artist has made the transition from modern "talkies" back to the silent film well.  It was filmed in the same .33:1 "Academy ratio" as silent films, as director Michel Hazanivicius believed it would give the actors presence and strength. Hazanivicius’s ambitions have led to success as the film picked up three trophies at the Golden Globes.   It is now hotly tipped for Oscar buzz but filmgoers know that Oscar success is not guaranteed just because a film does well at the Golden Globes.  Havanicicius's main stars have literally followed in the footsteps of  Gene Kelly and Debbie Reynolds, rehearsing many of the film's dance scenes in the same studio as their predecessors.  But While Singin' in The Rain did not fare so well initially, its increasing popularity and success has been seen throughout the years.  Only the years to come will judge if Hazanivicius's film, too, will be regarded as a piece of film history.